TSH Crafts

Viva la Salsa PDF Print E-mail
Written by Toyin Oke on Saturday, 08 May 2010 20:41   

Viva la Salsa

My first experience with an amateur salsa dance performance here in Nigeria, made me realize there was more to this art than meets the eye. I decided to research this amazing theatrical art, and it’s unbelievable how much of mixed styles go into this coordinated rhythm.  Listening to today's Salsa, you are going to find the base of ‘són’, and you are going to hear ‘Cumbia’, and you are going to hear ‘Guaracha’. You will also hear some old ‘Merengue’, built-in the rhythm of different songs. You will hear many of the old styles somewhere within the modern beats.

Salsa varies from site to site. In New York, for example, new instrumentalization and extra percussion were added to some Colombian songs, so that New Yorkers - that dance mambo "on the two" - can feel comfortable dancing to the rhythm and beat of the song, because the original arrangement is not one that’s easily recognizable. And like an Iroko tree, this art has stood strong with many roots and branches, but with only one trunk that unites us all. It is in all of us and a sample of our flexibility and evolution. Don’t even think that a single place can take the credit for the existence of Salsa, you would be very wrong; and if you also think that one style of dance is better, you should try dance your salsa in a setting where a different salsa style predominates, you definitely won’t look an inch as good as the locals there. Each Salsa dancer is accustomed to dance his/her own style as influenced by the environs and locality. Though none is better, different styles and tweaky flavas keep making this art more and more fun.

In Nigeria for example, Salsa is loved by the people, although just a meager percentage for now can take on the dance floor doing Salsa well enough; some brilliant minds have amazingly been able to make their own salsa moves, mixing flavas from common Nigerian local dances like the fuji, alanta, yahoozee, galala etc. and guess what? The result, - a style entirely different from any you have ever seen. The size of lasses and booties that exist in our world, make a very interesting combination of motion, when swinging salsa.

The new love for salsa by Nigerians, which is evident with various schools that teach Salsa classes, spring up everyday.

Well, while you are reading this, I definitely would be swirling my body to my latest salsa technique, that I picked up from a recent Salsa night at Casalinda, when they treated some guest to Latino music, dance, food, and drinks. What a night!

For the next Salsa evening, Casalinda may just be a short drive away. Call 092905335.

Viva la variedad, Viva la Salsa!
 
A ‘Dyeing’ Art PDF Print E-mail
Written by Toyin Oke on Saturday, 17 October 2009 10:21   


Learn the basics about restoring colour to carpet.

 

 A dyeing ArtBy: Pierre Diatta

       0805 864 9903

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Carpet and upholstery cleaners learn the basics of spot removal early by recognizing the difference between a spot and a stain.

Spots are substances foreign to the fiber construction or fabric being cleaned. They are eliminated by using proper spot removal techniques and tools. Dry or wet solvents, a bone spatula, a tamping brush and absorbent materials are effective spot removal agents or tools.

 

Stains, however, are a more difficult problem. They are not merely a foreign substance; they actually change the material’s colour. This is when it might be wise to revive a “dyeing”.

 

 
Mallam Ilo - Goldsmith PDF Print E-mail
Written by Toyin Oke on Saturday, 17 October 2009 10:17   

Mallam Ibrahim Ilo is a Goldmith at Wuse Market, Abuja, he is one of the few craftsmen that knows the craft. He loves his creativity, and has adopted his way of good customer service. His desire is to get help, so he can set up a training centre. There are few golds smiths, and most of them are of the older generation. He does not want the profession to die.  

 
‘ Gele', ‘ Fila Oge' PDF Print E-mail
Written by Toyin Oke on Saturday, 17 October 2009 10:16   


The crown of a woman is her head and what sits on it and in it. Her head is the bearer of grace, honor, beauty, and personality. In ancient times the woman had to cover her head as a sign of honor to God when she had to pray or go to the temple. Today, ‘ gele', the naija-centric symbol of a well dressed Nigerian woman ready for ‘ owambe' (local ceremony).

 
Africans...Our Brother Bleeds PDF Print E-mail
Written by Toyin Oke on Saturday, 17 October 2009 10:14   

War lurks around our kinsman's house

It has ran through his veins for too long

Peace bids him goodbye, his house is in disorder

He's pierced himself all around

Hatred has gulped his mentality

 




Who will be Nigeria's next President
 

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